Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Thomas Girtin 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
32783 Bamburgh Castle, Thomas Girtin Bamburgh Castle, mk81 Northumberland c.1797-9
94491 Bamburgh Castle, Northumberland Thomas Girtin Bamburgh Castle, Northumberland 1797-1799 Dimensions 55 x 45 cm (21.7 x 17.7 in) cjr
56164 berry pomeroy castle,devon Thomas Girtin berry pomeroy castle,devon mk247 1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
94487 Das Weibe Haus in Chelsea Thomas Girtin Das Weibe Haus in Chelsea 1800 Dimensions 29,8 x 51,4 cm cjr
94492 Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen Thomas Girtin Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen 1799(1799) Dimensions 41,5 x 53,6 cm cjr
56593 durham cathedral and bridge Thomas Girtin durham cathedral and bridge mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
94493 Guisborough Priory, Yorkshire Thomas Girtin Guisborough Priory, Yorkshire 1801(1801) cjr
94495 In the Scotch Borders Thomas Girtin In the Scotch Borders cjr
94488 Interior of Lindisfarne Priory Thomas Girtin Interior of Lindisfarne Priory 1797(1797) cjr
94485 Jedburgh Abbey from the River Thomas Girtin Jedburgh Abbey from the River 1798-1799 cjr
94494 Kirkstall Abbey, Yorkshire Thomas Girtin Kirkstall Abbey, Yorkshire 1801(1801) Dimensions 30,5 x 52 cm cjr
26066 Kirkstall Abbey,Yorkshire-Evening (mk47) Thomas Girtin Kirkstall Abbey,Yorkshire-Evening (mk47) c.1800 Watercolour 317x520mm Victoria & Albert Museum,London
94489 Lindisfarne Thomas Girtin Lindisfarne 1798(1798) cjr
68806 near beddgelert Thomas Girtin near beddgelert north wales, 1798 watercolour 29x43.2cm se
94496 Near Bolton Abbey Thomas Girtin Near Bolton Abbey 33 x 52 cm cjr
94483 Portrait of Thomas Girtin Thomas Girtin Portrait of Thomas Girtin 18/19th century cjr
94497 Rue Saint-Denis in Paris Thomas Girtin Rue Saint-Denis in Paris 1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
85437 The collector of tithes Thomas Girtin The collector of tithes oil on Canvas(1663-1720) cyf
56592 the tihe barn abbotsbuy Thomas Girtin the tihe barn abbotsbuy mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
31322 The White House at Chelsea Thomas Girtin The White House at Chelsea nn07

Thomas Girtin
English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
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